And the sense of atmosphere is where The El. Train is most successful – Richard Kent’s design uses the shape of this old music hall well and combined with Neil Austin’s smoky lighting and sound design from Alex Baranowski and Andy Hedges, manages to brilliantly evoke the sense of location in a design triumph. Altogether, it is a classy kinda joint to wander into, the pop-up bar selling specially designed cocktails and the overall feel is just right. Still, it feels hard to justify ticket prices of nearly £50 (once booking fee has been added) for something that’s not even 90 minutes straight through and in cramped, unreserved, uncomfortable seating at that. But look for the cheaper tickets, any chance to see Ruth Wilson should be taken whilst you still can.